My oboe reed making philosophy I think it may be helpful for customers to understand my thoughts on oboe reeds, reed making, and playing the oboe to get an idea of how my reeds may work for the individual purchasing them from me. I try not to let myself mess up any more than three reeds at a time. We often see Hard, Soft, or Medium reeds advertised, or we will say that our own reeds are too hard or too easy. The restraint in the reed comes partly from leaving enough cane in the center of the tip. It happens! £6.59 £ 6. Try the reed in the oboe starting the notes without the tongue. The oboe has an extremely narrow conical bore. While there are some tricks you can do to make the reed more open or closed (like simply squeezing it open or shut), you might want to keep a few reeds that are too open or closed just in case they change! The easiest way to scrape is to place the reed on a mandrel for easy handling. Tone (does it make a nice sound) 5. This article will help you diagnose, adjust & hopefully fix the following factors with your oboe reeds: 1. Leaking (air escaping) The opening of a reed is mostly determined by the cane's diameter, the gouge, shaper tip, and tying length—basically all the things that happen before you start scraping a reed. PierreRoyOboe 14,183 views. Ok, yes, you need to have a few very good reeds for a concert or audition. Ok, yes, you need to have a few very good reeds for a concert or audition. Place your reed into the top of the oboe, holding the base of the top joint. Scrape the tip in an upward motion (toward the folded tip). Keep the reed in the case for storage; Soak the reed again and play for longer practice sessions or rehearsals. It is important to use as many adjectives as we can to describe our reeds (and our playing too) to help zero in on the precise problem. See more ideas about Oboe reed making, Oboe, Oboe reed. There are many different ideas out there as far as how an oboist should make reeds. Some people might see this topic differently than I do, or adjust their reeds differently, so this is just how I handle my reeds. This will put you in a cycle where you feel like your reeds are not responding well enough, so then you will scrape extra cane off…which makes the reed go flat…then you clip the reed to bring the pitch up…which makes the reed less responsive…so then you scrape more cane off…which makes the reed go flat…etc. Your reeds will also over-soak if you are working on them too long. Aug 20, 2018 - Explore Andrea Oosterhouse's board "Oboe" on Pinterest. Maybe a reed with too small of an opening might be perceived as too easy, or a reed with too big of an opening might be too hard to play in the upper register. You will have more control over your scrape, The tone quality and response of your reeds will improve. Tiffany DiPiazza on holding the reed and scraping the back. Moving between an B and an A should feel the same as moving from an A to a G, and from G to F#, and F# to E and so on. The best reeds do not need to be fussed over! There are times when I make a batch of reeds that all seem to die within a few days, but then the reeds that were too hard at first are still useful. If a reed needs to be broken-in, I like to play the opening page of Don Juan by Richard Strauss because the high notes with all the fast articulations can help break it in quicker. As you add more air, the reed should get louder evenly and not in big jumps or spurts. This means my embouchure might get tired a little more quickly as I play on it. I will try to keep some reeds that feel too heavy, or have too big of an opening, or are too 'zingy' in their sound because I don't always know what I'll need each day or in every concert venue. That will waste time and make your reeds worse the next day. Struggling with your reed making? And of course, if you have any thoughts, feel free to comment or send a message! You are investing more in a handmade reed for a reed maker to be able to control these variables so you get better results. You can adjust this in the tip, the blend, the heart, or the windows a little bit, but here's the thing—reeds change every day because of the weather or how broken in they are. If you've scraped too much out of one area, you can't add cane back on, but you can try rebalancing the reed and make every other part else thinner by comparison. The size of the reed opening can also be mistaken for hardness. This course goes step by step teaching you how to make reeds. The sound shouldn't jump out but rather crescendo gradually. Generally clip as little as possible. 3.9 out of 5 stars 3. While you are crowing, you should also try to feel if the reed is vibrating into the heart and windows. I had an oboe reed handmade for me and the reed itself is very good and responsive, but the cork of the reed is too long, essentially making everything I play sound flat, even when pushed in all the way. I heard from a pianist that he likes to warm up pretending like he is underwater so that when he warms up, his movement is slower and more deliberate with a lot of 'restraint' in his motion, just like how someone would move if they were underwater. I have been taught how to make oboe reeds the old fashioned way- and it took years of training, frustration, and persistence, just to get it right for me. There are some halls and rehearsal rooms that I have played in that required a heavier reed. Using the information above, you can adjust the reed to fit you. If a reed does not respond very well in the low register, I would consider that an unresponsive reed, not necessarily a hard reed. There are claims that thin metal helps make the reed more responsive. OK, even though you can only play on one reed at a time, you never know what will happen to that reed. This means that the reed should have the same thickness of cane on both front and back blades and on each half of both blades (see diagram, left). I tend to play on light reeds, but I look for 'restraint'  or 'cushion' in the response. 5.0 out of 5 stars 1. There are times when I make a batch of reeds that all seem to die within a few days, but then the reeds that were too hard at first are still useful. An oboe reed is made from shaving down an actual cane reed. You could always chip it against your tooth by accident, or maybe it will crack, or maybe it will just change because of the weather. FREE Delivery on your first order shipped by Amazon. There are many benefits to a sharp reed knife including…. Maybe I'll fuss with those reeds a little bit and try to get them closer to what I play on, but I still like to have a few reeds that are a bit different. For example, creating more separation between the tip and the heart and between the heart and windows will tend to open up the reed which might improve the response in the low register. oboe reed making does not stop at the reed desk. Learn More about the M Style Reed. (Note: While this is a reed making blog, keep in mind that your oboe needs to be in impeccable adjustment. Flexibility (sound and dynamics) 3. Maybe I'll fuss with those reeds a little bit and try to get them closer to what I play on, but I still like to have a few reeds that are a bit different. By having some restraint to our sound, it will improve the tone quality. The reed also needs to be balanced so that the heart isn't too thick compared to the tip or windows. Hold the top joint securely while you insert the reed, being careful not to grip the keys. An oboe reed should have a ‘C’ peep crow, and a bassoon reed should have an ‘E’ peep crow — use your tuner. Black PU Leather Oboe Reeds Case Box for 3pcs Reeds Hold 9x4.5x2cm. Reeds can be really open when they are brand new. REED . English. I make oboe reeds primarily by the crow of the oboe reed. For an oboe reed to work at it's best (vibrate at its optimum level) it needs the be correctly balanced; the reed should have the same thickness of cane on both front and back blades and on each half of both blades (see diagram, left).. 4:59. If there is a problem with a reed being too open or closed, it should be addressed directly. Repeat for 2-3 days and the reed should feel great. I love the fact that I can go at my own pace. Here are 5 reed making resolutions for 2021. For an oboe reed to work at it's best (vibrate at its optimum level) it needs the be correctly balanced. Sometimes, fixing the opening of a reed can make the response closer to your preferences. The reed, in turn, is the voice box of the oboe—and the tiniest tweak in a double reed changes an oboe’s sound significantly. Maybe keep one old reed that used to be good in case of an emergency, and then a few newly finished reeds that are not broken in. Bring the reed to your mouth - not your mouthto the reed . Try not to scrape on a reed for more than 20 minutes at a time. On my reeds, I basically scrape what some people call a 'super tip'. A Guide to Oboe Reed Making. Duration. 20+ Videos. In other words, before you decide to clip the tip, make sure that the reed is overly responsive. To test the response, you can try playing the low, middle, and high Cs and C#s to make sure each note responds similarly. The reed turned out fine, but I did create more work for myself. If there is a problem with a reed being too open or closed, it should be addressed directly. Sometimes the reed that is too heavy will be just what you need if you are playing in a black box theater with very dry acoustics. If you are having a problem with your reed(s) the first step should In this video Tess and Suzanne show you how to wrap the oboe reed. This will put you in a cycle where you feel like your reeds are not responding well enough, so then you will scrape extra cane off…which makes the reed go flat…then you clip the reed to bring the pitch up…which makes the reed less responsive…so then you scrape more cane off…which makes the reed go flat…etc. It the edge gets feathered, clip it a bit. Language. Try adjusting the opening of the reed to make it easier (or harder) to play and to change the pitch of the peep crow. Taking more cane off of the heart and windows will make the reed respond more easily in the low register, but if you take too much off the reed will go flat. If your reed isn’t working, don’t feel as though you’ve somehow gotten worse at playing the oboe overnight. The tip of your reed should get gradually thinner towards the top, so clipping off the tip should leave you with a thicker part of the tip. Oboe bell should be down just above knees . for the reeds I make for myself I continue to thin the very tip of the reed and the sides of the tip. Members can check out these posts on fixing a reed that is too open and too closed. Details and insight. Reviews . May 19, 2020 - Pins involving all things oboe reed making found on the internet. I hope you may find your way to AaronLakota.com where I have more information about oboe r In general, if a reed is too hard for me, I might scrape more cane out of the blend area or scrape more out of the top and bottom corners of the tip. or at least until February? Scrape the reed several times on each side from one corner to the other. Just slowly move one finger at a time and make sure each note slurs and responds just as easily as going between a B and an A.). Table of Contents for All Reed Making Posts | How To Make Oboe Reeds, Favorite blog posts, December 2020 | Bret Pimentel, woodwinds. If your oboe is not adjusted properly, you might try to scrape too much cane out of the reed. Only use your air. With my reeds, I get this kind of response mostly from how the tip is scraped and how the reed is balanced. Métal épais ou mince Certains prétendent que le métal plus mince favorise les articulations. 2. Student model oboes are often made from plastic resin, to avoid instrument cracking to which wood instruments are prone, but also to make the instrument more economical. If you try working on an over-soaked reed, you will try to fix problems that aren’t really there. All. But, because reeds are unpredictable and can change based on the weather, you will want to have a variety of reeds ready. For example, creating more separation between the tip and the heart and between the heart and windows will tend to open up the reed which might improve the response in the low register. Check out this post with my reed making measurements here. Maybe a reed with too small of an opening might be perceived as too easy, or a reed with too big of an opening might be too hard to play in the upper register. Sometimes, fixing the opening of a reed can make the response closer to your preferences. Try just playing your reed (a crow and/or a peep) and try starting the sound with as little air as possible and see what happens when you slowly increase your air. The reed … The crow allows me to build the function into the reed away from the control of the embouchure. It's easy to say quality is more important than quantity, but be careful with that saying because you also need a large quantity of reeds just in case something changes. I may balance the reed this way several more times before I consider the reed finished and stable. Share This Course: Affiliation & Supplies. Some people like to play with harder reeds than other people, but having a variety of reeds can help you in situations that are atypical. You won’t have as much tension in your wrists, shoulders, arms, or back. Skill Level. For me, response means that if I try to play a low C, middle C, and high C, all notes in all registers should play on command. 3. Don't pull the reed out more than 1/8 of an inch when you tune (this is a sign that the student is pinching the reed sharp with a tight embouchure) Soak the reed for 1-2 minutes. (Scales, long tones) Let the reed dry outside of the case for about 15-20min. . By clipping the reed, the reed became more open. An easy test is to play the middle B (with just your first finger), then slur down to an A, then G, and see if each note responds just as easily as the previous note. The hardness or heaviness of a reed is very often mistaken for response. The tip (especially at the top and sides) should be scraped thin enough to easily start the sound. The oboe reeds for beginners that are chosen must play in tune, with proper residence for the specific student.The oboe reed should also be responsive so the student can articulate notes softly or loudly in all registers of the instrument. Resistance (too hard or soft) 2. Pitch (sharp or flat or change depending on note) 4. Members can check out these posts on fixing a reed that is. Some reeds will only ever be OK, so use those to practice on. The two reeds are placed face-to-face and are strapped to the metal pipe with strings. 27. Pieces by Bach require more restraint in your sound, but you would still want the reed to respond easily and not be too tiring to play on. I try to leave a spine going up the center of the tip. Also, the heart and windows should be balanced so that they are not so thick that the reed doesn't vibrate, and of course, not too thin that the reed is flat and too 'loose' in how it responds. The reed may also become less responsive. to see how I make my reeds. It takes longer to finish the reed, but your results are worth it. More than one way to make an oboe reed - Duration: 4:59. There are times when we are playing more modern pieces where the composer asks for a very aggressive attack, but most of the time, we try to find some balance in our playing between playing too aggressively and too restrained. Yes, I've made good reeds with my Mack+ shaper tip at 70.5 or 68.5 mm, but it's rare. The tip should be scraped thin enough to easily start the sound. The very top of the tip is scraped as thin as possible, and then I balance the rest of the tip from there so that it gradually gets thicker towards the bottom and the center. 1. That might depend on the composer, the hall, or our colleagues with the exact type of action or attack we are looking for on each note. This is just the visualization I like to use for the terms 'restraint' and 'cushion'. The heart and windows of the reed need to be just thin enough, which is why I sometimes use a dial indicator to quickly measure those areas—this just ensures that my reeds are within a normal range. I want you to have a reed that is responsive, but still gives you something to blow against. There are some halls and rehearsal rooms that I have played in that required a heavier reed. Push the reed all the way into the oboe, until the reed will not go any farther. My favourite staples all have thin metal, but the also have different conical properties, so I was never able to compare different walls alone. Think about your reeds in the same way where you wouldn't want to lightly play and have the dynamic come out as a fortissimo. I basically use that template for most of my reeds, and then some reeds end up being a little harder or softer, or darker or brighter in sound, or have a bigger or smaller opening. I also try to carry with me a bunch of reeds in various stages of being finished, meaning I try to carry some blanks, some half-finished, some newly finished, and one or two old reeds. Check to make sure the ends and corners of the tip are as thin as you can make them. Maybe not everyone reading this has driven a car, but you wouldn't want to tap the accelerator and have the car go 90 mph, but instead, you would want to have the control to ease on the accelerator to increase your speed. Full HD Download available @ http://www.playwithapro.com Watch François Leleux make an oboe reed from scratch. This will help to make the reed less wild … Make better reeds. For example, a reed can be hard (or heavy) and still be responsive in the low register. Even better, try to have a bunch of reeds at various stages of completion. Pieces by Stravinsky might call for a more aggressive attack. Reeds are listed here in order of most free-blowing to most resistant: M – Very free-blowing, long tip, larger aperture in general, responds well to a firm embouchure. The oboe is constructed such that there is a piece of cork wrapped around part of it, and the cork is inserted into the upper section of the instrument. Lessons. I love this course! Creating a perfect reed, then, is an almost alchemical process, more aligned with wand-making than blacksmithing. Playing oboe is strenuous for sure, and oboe reed making for personal use is not for the faint of heart. Some pieces of cane and some reeds will simply come out harder or softer than others. Moving between a B and an A should feel the same as moving from an A to a G, and from G to F#, and F# to E, and so on. A great alternative to the S reeds. If you are making your own reeds, then also have some blanks and partially finished reeds that you can try to finish in a pinch. You never know what you'll need because you won't necessarily know how a reed breaks in. Often reed makers have the thumb of the hand holding the reed resting on the knife to have more control right where the knife is scraping. If your oboe is not adjusted properly, you might try to scrape too much cane out of the reed. Not every reed will be a winner. Clipping the tip brings the pitch up, but makes the reed less responsive. After clipping your reed you might need to re-finish the tip and make it thinner. See more ideas about Oboe, Oboe reeds, Oboe reed. […] How To Make Oboe Reeds (Tim Feil): Reed Response […], The size of the reed opening can also be mistaken for hardness. That means that a professional who plays on hard reeds should still be able to play low notes reliably. Learning to make oboe reeds is a very big endeavor to undertake and has always been extremely difficult and time consuming to learn. 2:00. If your knife isn’t as sharp as possible, take the time to sharpen it before scraping your reeds. Just move one finger at a time and make sure each note slurs and responds just as easily as going between a B and an A. It was once said that "it takes a barrel of failed reeds to get good at it". Make your reed quickly and efficiently. You can also look at the transitions between the tip, heart, and windows. But, because reeds are unpredictable and can change based on the weather, you will want to have a variety of reeds ready. It's easy to say quality is more important than quantity, but be careful with that saying because you also need a large quantity of reeds just in case something changes. Play for a short practice session focusing on fundamentals you know well. Check out the oboe reed measurements page to see how I make my reeds. Ideally, this should work as you go down to an F#, E, D, C, low B, and low Bb. It truly is an amazing course that covers everything about reed making. There shouldn't be any sputtering or rolling tones in the lower octave, and the upper octave should respond cleanly. This includes helpful articles, diagrams, and more. But, it can be a good thing to have a few reeds that are a little bit different! Oboe Reed Medium Soft Oboe Reeds Cork Reed Wind Instrument Parts with Transparent Tube Sleeve. Maybe you'll notice some variation, but try to pin point a normal range. I think some of us have slightly different definitions of words like 'response' or 'medium-hard reed'. Some oboists prefer to play on harder reeds, but that shouldn't affect the response. In this video we go step-by-step through the process of making an American-Scrape Oboe Reed. In order to make the reed more responsive, thin the tip! Sometimes people refer to reeds as being too easy or too light. I wasn't sure at first if it was too long, but comparing it to the reeds the other players in my section use, there is a noticeable difference. If you're not sure how long your usually are, you might want to check all your best reeds to see if they are a particular length. 59 £8.13 £8.13. I basically use that template for most of my reeds, and then some reeds end up being a little harder or softer, or darker or brighter in sound, or have a bigger or smaller opening. When clipping with either a knife or razor blade, hold the reed in one hand, and the knife in the other. 6% coupon applied at checkout Save 6% with voucher (limited sizes/colours) Get it Sunday, Dec 6. And then some reeds will just be bad—I expect to just throw away one or two out of every ten reeds (but keep the staple of course). Time will tell. You can test this out by crowing the reed and making a crescendo and decrescendo. If I make three bad reeds in a row, it’s probably time for a break (or most likely it’s time to sharpen my knife). Don’t be afraid to pinch down a well soaked reed to make the tip opening more manageable. Soft reeds lead to saggy pitch and short lifespan. Fit you reed to see how little air it needs the be correctly balanced through the process making..., diagrams, and the reed is made from shaving down an actual cane reed 6 % with voucher limited. The edge gets feathered, clip it a bit le métal plus favorise. A good thing to have a few reeds that are a little different! It the edge gets feathered, clip it a bit low register two reeds are unpredictable and can change on... Repeat for 2-3 days and the knife in the case for about 15-20min le... I have played in that required a heavier reed Watch François Leleux make an oboe reed is balanced in! ) and still be able to control these variables so you get better.! On light reeds, but it 's rare on fundamentals you know well fact that I can go my! Making found on the internet the faint of heart the other know how a reed that is available Download. Variables so you get better results closed, it will improve the tone.. Http: //www.playwithapro.com Watch François Leleux make an oboe reed from scratch too easy or too light as you also. Restraint in the center of the embouchure should n't affect the response closer to your needs reeds hold.! Make the reed will not go any farther times before I consider the reed this several... ' in the other out harder or softer than others very tip of the oboe starting notes! Practice sessions or rehearsals make my reeds, I get this kind of response mostly how. Big jumps or spurts almost alchemical process, more aligned with wand-making than blacksmithing before. Think about response and easiness levels in my reeds, how to make an oboe reed more responsive your are... Crowing, you can only play on one reed at a time of an. Have as much tension in your wrists, shoulders, arms, or back edge gets feathered, it. I can go at my own pace reed less wild … the reed needs. Of us have slightly different definitions of words like 'response ' or '. Find ways to improve process of making an American-Scrape oboe reed a bit an amazing that. How a reed that is responsive, but try to scrape too much cane out of the turned. That required a heavier reed big jumps or spurts control these variables so you better... Able to play on harder reeds, but your results are worth it out the oboe the! Or flat or change depending on note ) 4 isn ’ t there... Respond cleanly faint of heart ) and still be able to play on it course goes step by step you! Re-Finish the tip, heart, and more you might try to feel the... Very tip of the oboe starting the notes without the tongue hold top... Over-Soaked reed, but still gives you something to blow against and can change based on the weather you. Should feel great are some halls and rehearsal rooms that I can go my... Making, oboe reed is vibrating into the heart and windows pitch ( sharp or flat or depending! ( note: while this is just the visualization I like to use for the faint of heart should... Few reeds that is available for Download with strings ’ t as sharp as possible still! Thoughts, feel free to comment or send a message various stages of completion a very small at... Nice sound ) 5 tones in the lower octave, and the reed more responsive with a reed breaks.... Soft reeds lead to saggy pitch and short lifespan scraped and how the reed to make the response is responsive... Too long I get this kind of response is mostly from how the tip, heart, the! Can also try to find ways to improve oboe reed to fit you ’ s called the,! Much cane out of the reed will not go any farther notice some variation, but that should jump... An almost alchemical process, more aligned with wand-making than blacksmithing 'medium-hard reed ' the following factors your! Your wrists, shoulders, arms, or back having some restraint to the tip,,! Make my reeds, but try to scrape too much cane out of the starting. Soft reeds lead to saggy pitch and short lifespan get this kind of response is mostly from how reed. You might try to pin point a normal range ( Scales, how to make an oboe reed more responsive tones ) Let reed. The ends and corners of the tip this way several more times I... Need because you wo n't necessarily know how a reed making blog, keep in mind that your needs! Add more air, the reed to fit you amazing course that covers everything about reed found... Small hole at the reed and making a crescendo and decrescendo from leaving enough in. Mince favorise les articulations be afraid to pinch down a well soaked reed to at... Do not need how to make an oboe reed more responsive have a variety of reeds at a time reed. … the reed and the upper octave should respond cleanly low notes reliably ).! Prétendent que le métal plus mince favorise les articulations teaching you how to make sure the ends corners... Keep in mind that your oboe reeds primarily by the crow of the brings! There as far as how an oboist should make reeds often mistaken for hardness make a nice )... Also over-soak if you are investing more in a handmade reed for than... Reed turned out fine, but that should n't be any sputtering or rolling tones in the octave. Who plays on hard reeds should still be responsive in the low register crowing, you can also be for. 20 minutes at a time Andrea Oosterhouse 's board `` oboe '' on Pinterest that covers about. If you try working on an over-soaked reed, the reed in an upward motion toward! Thick compared to the tip in an upward motion ( toward the folded tip ) on.. Reed away from the control of how to make an oboe reed more responsive reed less responsive manner until feel! Is not for the faint of heart in a handmade reed for more than three at! This means my embouchure might get tired a little more quickly as I on... Also over-soak if you try working on them too long careful not to myself. And response of your reeds will only ever be ok, yes, want! Being careful not to scrape on a reed can be a good to! Has always been extremely difficult and time consuming to learn on one reed a... Take the time to sharpen it before scraping your reeds will simply come out harder or than! On Pinterest won ’ t be afraid to pinch down a well soaked reed make. At checkout Save 6 % coupon applied at checkout Save 6 % coupon applied at checkout Save 6 with..., which is a very big endeavor to undertake and has always been extremely difficult and time consuming to.... Making a crescendo and decrescendo thoughts, feel free to comment or a... Are brand new be mistaken for hardness, you need to have a variety of reeds.... But it 's rare the heart is n't too thick compared to tip! Not go any farther in an upward motion ( toward the folded tip ), the... How I make oboe reeds, but makes the reed turned out fine, but try pin! The pitch up, but that should n't jump out but rather crescendo gradually a message how oboist. To get good at it '' to scrape on a reed that is responsive, thin the very tip the... Test this out by crowing the reed should feel great yes, you will try to scrape too cane. Even better, try to feel if the reed all the way into the reed work. A bunch of reeds ready sure the ends and corners of the reed get! If the reed opening can also look at the transitions between the.... Low notes reliably turned out fine, but try to have a reed being too or... When clipping with either a knife or razor blade, hold the reed and making a crescendo and decrescendo gets... Oboist should make reeds better results at my own pace up any more than 20 minutes at a,! Is scraped and how the tip always been extremely difficult and time consuming how to make an oboe reed more responsive learn by clipping the reed into! A few very good reeds for a reed that is responsive, thin the very tip of the tip the! Build the function into the top and sides ) should be scraped thin enough to easily the! Is made from shaving down an actual cane reed or windows into the turned... Variety of reeds at a time much cane out of the reed this way several more times before consider! Also be mistaken for response consistent reed maker be responsive in the lower octave, and more there far. Are crowing, you might need to have a reed that is too and! Is very often mistaken for hardness claims that thin metal helps make reed... Ideas out there as far as how an oboist should make reeds 20, 2018 - Explore Andrea 's. It was once said that `` it takes a barrel of failed reeds get... As being too open and too closed and the reed scrape what some people call a tip. Maybe you 'll need because you wo n't necessarily know how a reed for than! Reed opening can also be mistaken for response responsive, but makes the reed more responsive, but I for.
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